Blondie – Discography (1976 – 2014)
EAC Rip | 29xCD + 3xDVD | FLAC/APE Tracks & Image + Cue + Log | Full Scans Included
Total Size: 20.5 GB | 3% RAR Recovery
STUDIO ALBUMS | LIVE ALBUMS | COMPILATIONS
Label: Various | Genre: New Wave, Pop Rock
EAC Rip | 29xCD + 3xDVD | FLAC/APE Tracks & Image + Cue + Log | Full Scans Included
Total Size: 20.5 GB | 3% RAR Recovery
STUDIO ALBUMS | LIVE ALBUMS | COMPILATIONS
Label: Various | Genre: New Wave, Pop Rock
Embracing a broad range of pop music that encompassed British Invasion rock, garage rock, disco, reggae, Latin rhythms, and hip-hop, Blondie was the most commercially successful band to emerge from the New York punk/new wave community of the late ’70s. The group was formed in New York City in August 1974 by singer Deborah Harry (b. July 1, 1945, Miami, Florida), formerly of the folk-pop group Wind in the Willows, and guitarist Chris Stein (b. January 5, 1950, Brooklyn, New York) out of the remnants of Harry’s previous group, the Stilettos. The lineup fluctuated over the next year; drummer Clement Burke (b. November 24, 1955, New York) joined in May 1975, and bassist Gary Valentine signed on in August, while keyboard player James Destri (b. April 13, 1954) came on board in October, completing the initial permanent lineup. One of the first bands on the CBGB scene to score a record deal, Blondie released their first album, Blondie, on Private Stock Records in December 1976. In July 1977, Valentine was replaced by Frank Infante. ― Allmusic
1. STUDIO:
1976. Blondie (1985, Chrysalis, F2 21165, USA)
1976. Blondie (2001, Chrysalis, 72435-33596-2-1, USA)
1976. Blondie (2006, Toshiba-EMI, TOCP-67891, Japan)
1976. Blondie (2001, Chrysalis, 72435-33596-2-1, USA)
1976. Blondie (2006, Toshiba-EMI, TOCP-67891, Japan)
1978. Parallel Lines (1985, Chrysalis, F2 21192, USA)
1978. Parallel Lines (2006, Toshiba-EMI, TOCP-67893, Japan)
1978. Parallel Lines(2008, Capitol, 509992 27689 26, EU, CD+DVD, Deluxe Collectors Ed)
1978. Parallel Lines (2006, Toshiba-EMI, TOCP-67893, Japan)
1978. Parallel Lines(2008, Capitol, 509992 27689 26, EU, CD+DVD, Deluxe Collectors Ed)
1978. Plastic Letters (1985, Chrysalis, F2 21166, USA)
1978. Plastic Letters (2006, Toshiba-EMI, TOCP-67892, Japan)
1978. Plastic Letters (2006, Toshiba-EMI, TOCP-67892, Japan)
1979. Eat To The Beat (1985, Chrysalis, VK 41225, USA)
1979. Eat To The Beat (2001, Chrysalis, 72435-33597-2-0, USA)
1979. Eat To The Beat (2001, Chrysalis, 72435-33597-2-0, USA)
1980. Autoamerican (1985, Chrysalis, F2 21290, USA)
1980. Autoamerican (2001, Chrysalis, 72435-33595-2-2, USA)
1980. Autoamerican (2001, Chrysalis, 72435-33595-2-2, USA)
1982. The Hunter (2006, Toshiba-EMI, TOCP-67897, Japan)
1999. No Exit (1999, Beyond Music, 74321641142, EU)
2003. The Curse Of Blondie (2003, Sanctuary, 06076-84666-2, USA)
2011. Panic Of Girls (2011, Noble ID, Five Seven Music, NBL891, Germany)
2014. Blondie 4(0) Ever(2014, Noble ID, Five Seven Music, NBL 501-2, 2CD+DVD)
2. LIVE:
1997. Essential Blondie. Picture This Live (1998, Chrysalis, 72438-21440-2-1, USA, Limited Ed)
1999. Blondie Live (1999, Beyond Music, 63985-78066-2, USA, HDCD)
3. COMPILATION:
1981. The Best Of Blondie (1989, Chrysalis, F2 21337, DIDX 71, USA)
1981. The Best Of Blondie (1991, Chrysalis, CDP 32 1371 2, UK)
1981. The Best Of Blondie (2006, Toshiba-EMI, TOCP 67896, Japan)
1981. The Best Of Blondie (1991, Chrysalis, CDP 32 1371 2, UK)
1981. The Best Of Blondie (2006, Toshiba-EMI, TOCP 67896, Japan)
1993. Blonde And Beyond (1993, Chrysalis, ERG, 0946 3 21990 27, UK)
1993. Blonde And Beyond (1993, Chrysalis, ERG, 0946 3 21990 27, USA)
1993. Blonde And Beyond (1993, Chrysalis, ERG, 0946 3 21990 27, USA)
1994. The Platinum Collection (1994, Chrysalis, EMI, 7243 8 31100 2 5, Holland, 2CD)
1995. How to retexture sims 4 hair. Remixed Remade Remodeled (1995, Chrysalis, EMI, 7243 8 32748 2 6, USA)
2005. Greatest Hits. Sight & Sound(2005, EMI, 0946 345054 2 0, EU, CD+DVD)
DOWNLOAD FROM LMA_Blnd.D_Discography Link List Password: www.LosslessMA.net If you encounter broken links or other problem about this publication, please let me know and write your comment below. I will reply and fix as soon as possible. |
Featuring collaborations with Sia, Dev Hynes, Charli XCX and more, Blondie’s 11th album is a bit uneven but remains a showcase for Debbie Harry’s versatile, supremely grounded voice and style.
For decades, Blondie’s weapon has been their talent for synthesis. While tracks like “One Way or Another” and “Hanging on the Telephone” front-loaded themselves with spiky riffs and Debbie Harry’s petulant yet wondrous vocals, other entrants in the New York New Wavers’ catalog got their power—and staying power—from places removed from what was then considered “rock.” “Heart of Glass” added disco’s bounce to the band’s guitar crunch; their cover of the rocksteady classic “The Tide is High” made plain the Caribbean influences that were infiltrating rock in the late ’70s and early ’80s; “Dreaming” was an urban-cowboy sigh reclining on a cloud of glitter; and Harry’s downtown-blasé, Fab 5 Freddy-saluting bridge on “Rapture” led to it becoming the first rap video to appear on the white-breadiest, earliest iteration of MTV.
From the title on down, Blondie makes it clear that Pollinator, their 11th album, is full of outside ideas—only two of its 11 songs were co-written by Harry and Blondie’s longtime guitarist/Harry’s songwriting foil Chris Stein. Collaborators include of-the-moment gurus like Dev Hynes and Dave Sitek as well as pop workhorses like Sia and Charli XCX; keyboardist Matthew Katz-Bohen, who joined the band in 2008, also co-wrote a pair of tracks, while John Congleton (St. Vincent, Goldfrapp) handled production.
Although it has its moments, the end result is predictably uneven. Blondie’s commitment to tense and jumpy pop remains, even though Harry’s voice is more grounded some four decades after the band’s debut. Pollinator opens with the Harry/Stein rocker “Doom or Destiny,” which chugs along on a simple, brain-Velcro riff and is full of winking wordplay; Congleton gives Harry’s lower-register vocals a metallic sheen that makes the rapid-fire internal rhymes sound playfully robotic. “Long Time,” which Harry co-wrote with Hynes, is a downshifted “Heart of Glass” with seen-it-all lyrics; the blooming keyboards buried in the mix provide a counterweight to Harry’s heavily processed vocals.
Fellow New Wave lifer Johnny Marr penned the muscular, urgent “My Monster,” one of the album’s highlights. Harry’s voice gets to peek out from the digital-processing curtain as guitars and keyboards zip around her. Charli XCX—one of the better 21st-century pop artists operating in Harry’s spirited yet serious style—wrote “Gravity,” a spaced-out synthpop romp that allows Harry to vamp and pout. The album nears dudsville with the Sia Furler/Nick Valensi co-write “Best Day Ever” because even though its synths sparkle, Furler’s lyrics-by-numbers are far too 101 for Harry’s wise persona. (Perhaps a verse en Français would have helped.)
Two of the album’s more unexpected collaborations wind up being its high points. The other Harry/Stein co-write, “Love Level,” opens as a swaggering pop-reggae hybrid then amps up the intensity as John Roberts (the comedian best-known as Linda on “Bob’s Burgers”) enters the fray, which quickly crests into a dancefloor cacophony. “Fragments,” meanwhile, is a seven-minute, blown-out cover of a 2010 piano ballad by the Vancouver musician (and movie blogger) Adam Johnston. In its original form it’s a slow-burn romantic broadside with knotty lyrics (“egocentricity,” “reality,” and “disparity” all fit into a verse that also contains the phrase “overwhelming rejection”); Blondie’s version surrounds Harry with guitar fuzz and breakneck drumming, allowing her to fully lean into a torchy vocal performance that culminates in her showing off her weathered, still-intact higher register as she laments that she doesn’t even remember. It’s part “Is That All There Is,” part defiant wave goodbye—and it’s a fitting close to an album that shows one of the most crucial American rock bands searching for footing in a chaotic, collapsible pop landscape.
Back to homeBlondie – Discography (1976 – 2014)
EAC Rip | 29xCD + 3xDVD | FLAC/APE Tracks & Image + Cue + Log | Full Scans Included
Total Size: 20.5 GB | 3% RAR Recovery
STUDIO ALBUMS | LIVE ALBUMS | COMPILATIONS
Label: Various | Genre: New Wave, Pop Rock
EAC Rip | 29xCD + 3xDVD | FLAC/APE Tracks & Image + Cue + Log | Full Scans Included
Total Size: 20.5 GB | 3% RAR Recovery
STUDIO ALBUMS | LIVE ALBUMS | COMPILATIONS
Label: Various | Genre: New Wave, Pop Rock
Embracing a broad range of pop music that encompassed British Invasion rock, garage rock, disco, reggae, Latin rhythms, and hip-hop, Blondie was the most commercially successful band to emerge from the New York punk/new wave community of the late ’70s. The group was formed in New York City in August 1974 by singer Deborah Harry (b. July 1, 1945, Miami, Florida), formerly of the folk-pop group Wind in the Willows, and guitarist Chris Stein (b. January 5, 1950, Brooklyn, New York) out of the remnants of Harry’s previous group, the Stilettos. The lineup fluctuated over the next year; drummer Clement Burke (b. November 24, 1955, New York) joined in May 1975, and bassist Gary Valentine signed on in August, while keyboard player James Destri (b. April 13, 1954) came on board in October, completing the initial permanent lineup. One of the first bands on the CBGB scene to score a record deal, Blondie released their first album, Blondie, on Private Stock Records in December 1976. In July 1977, Valentine was replaced by Frank Infante. ― Allmusic
1. STUDIO:
1976. Blondie (1985, Chrysalis, F2 21165, USA)
1976. Blondie (2001, Chrysalis, 72435-33596-2-1, USA)
1976. Blondie (2006, Toshiba-EMI, TOCP-67891, Japan)
1976. Blondie (2001, Chrysalis, 72435-33596-2-1, USA)
1976. Blondie (2006, Toshiba-EMI, TOCP-67891, Japan)
1978. Parallel Lines (1985, Chrysalis, F2 21192, USA)
1978. Parallel Lines (2006, Toshiba-EMI, TOCP-67893, Japan)
1978. Parallel Lines(2008, Capitol, 509992 27689 26, EU, CD+DVD, Deluxe Collectors Ed)
1978. Parallel Lines (2006, Toshiba-EMI, TOCP-67893, Japan)
1978. Parallel Lines(2008, Capitol, 509992 27689 26, EU, CD+DVD, Deluxe Collectors Ed)
1978. Plastic Letters (1985, Chrysalis, F2 21166, USA)
1978. Plastic Letters (2006, Toshiba-EMI, TOCP-67892, Japan)
1978. Plastic Letters (2006, Toshiba-EMI, TOCP-67892, Japan)
1979. Eat To The Beat (1985, Chrysalis, VK 41225, USA)
1979. Eat To The Beat (2001, Chrysalis, 72435-33597-2-0, USA)
1979. Eat To The Beat (2001, Chrysalis, 72435-33597-2-0, USA)
1980. Autoamerican (1985, Chrysalis, F2 21290, USA)
1980. Autoamerican (2001, Chrysalis, 72435-33595-2-2, USA)
1980. Autoamerican (2001, Chrysalis, 72435-33595-2-2, USA)
1982. The Hunter (2006, Toshiba-EMI, TOCP-67897, Japan)
1999. No Exit (1999, Beyond Music, 74321641142, EU)
2003. The Curse Of Blondie (2003, Sanctuary, 06076-84666-2, USA)
2011. Panic Of Girls (2011, Noble ID, Five Seven Music, NBL891, Germany)
Blondie Pollinator Flac Download Torrent
2014. Blondie 4(0) Ever(2014, Noble ID, Five Seven Music, NBL 501-2, 2CD+DVD)
2. LIVE:
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1997. Essential Blondie. Picture This Live (1998, Chrysalis, 72438-21440-2-1, USA, Limited Ed)
1999. Blondie Live (1999, Beyond Music, 63985-78066-2, USA, HDCD)
3. COMPILATION:
1981. The Best Of Blondie (1989, Chrysalis, F2 21337, DIDX 71, USA)
1981. The Best Of Blondie (1991, Chrysalis, CDP 32 1371 2, UK)
1981. The Best Of Blondie (2006, Toshiba-EMI, TOCP 67896, Japan)
1981. The Best Of Blondie (1991, Chrysalis, CDP 32 1371 2, UK)
1981. The Best Of Blondie (2006, Toshiba-EMI, TOCP 67896, Japan)
1993. Blonde And Beyond (1993, Chrysalis, ERG, 0946 3 21990 27, UK)
1993. Blonde And Beyond (1993, Chrysalis, ERG, 0946 3 21990 27, USA)
1993. Blonde And Beyond (1993, Chrysalis, ERG, 0946 3 21990 27, USA)
Flac Download Torrent
1994. The Platinum Collection (1994, Chrysalis, EMI, 7243 8 31100 2 5, Holland, 2CD)
1995. Remixed Remade Remodeled (1995, Chrysalis, EMI, 7243 8 32748 2 6, USA)
2005. Greatest Hits. Sight & Sound(2005, EMI, 0946 345054 2 0, EU, CD+DVD)
Flac Download Sites
DOWNLOAD FROM LMA_Blnd.D_Discography Link List Password: www.LosslessMA.net If you encounter broken links or other problem about this publication, please let me know and write your comment below. I will reply and fix as soon as possible. |